Chris Soal
Available Works
About
Chris Soal (b. 1994), South Africa, has garnered international recognition for his innovative engagement with materiality, perception, and place. His works seek to make a poetic statement through the simplest of means, engaging the viewer’s spatial awareness and perceptual habits while challenging core societal preconceptions of value and hierarchy. In addition to the material aspect of his work Soal works with objects and materials in ways that show a conceptual engagement with their contexts and histories.
Through his use of toothpicks and bottle caps, along with concrete, rebar, electric fencing cable, sandpaper, and other discarded industrial materials and ephemera. Soal’s works can be considered as a social abstraction, deeply rooted in and reflective of his upbringing in Johannesburg, South Africa. Working symbiotically with his materials, Soal utilises the inherent physical characteristics of the objects to transform them through processes of aggregation, combination, and erosion—seeking to foreground pressing ecological concerns. Despite the manufactured nature of his materials, his process allows them to take on biomorphic qualities that evoke natural phenomena.
Soal graduated with a BFA (Hons) from the University of the Witwatersrand in 2017.
Selected solo exhibitions include MAXXI, Rome (2025); WHATIFTHEWORLD, Cape Town (2024, 2021); Piero Atchugarry Gallery, Miami (2023); and Eduardo Secci Gallery, Milan (2022). Art fair presentations include Art Brussels; The Armoury Show, New York; Zona Maco, Mexico; Artissima and Miart, Milan; Cape Town Art Fair; SP-Arte, São Paulo; Dallas Art Fair; 154, London; and Untitled, Miami.
Selected group exhibitions include Breaking the Mold: Brooklyn Museum at 200 (Brooklyn Museum, New York, 2025) and Seven Contours, One Collection (permanent display, Museum of African Contemporary Art, Marrakech, 2025).
Public and Private include the Brooklyn Museum (USA); MACAAL (Morocco); MONA — Museum of Old and New Art (Tasmania); LAM (Netherlands); Bunker Artspace (USA); Galila’s P.O.C. (Belgium); Arsenal Contemporary (Canada); The Braunsfelder Family Collection (Germany); Cloud 7 (Belgium); and the Ekard Collection, among others.
In 2020, Soal was selected as one of ten contemporary artists for Dior Lady Art 5th edition. Residencies include RAW Material Company, Dakar (2019); South African Foundation for Contemporary Art, South Africa (2018) and Brussels (2022); and the Nirox Foundation, Cradle of Humankind (2021).
He has recently published an artist monograph titled To Sharpen our Senses and Sharpen our Touch with the Italian based publisher Skira.
Click here to view selected works.
Selected Press:
Chris Soal’s MAXXI Debut in Rome Explores the Hidden Life Within Matter (2025), Robb Report Africa
Dior Lady Art project interview with Chris Soal on Bizcommunity by Evan-Lee Courie
Toothpicks and Found Objects Form Amorphous Sculptures by Chris Soal (2019) by Colossal
Times Live feature by Thango Ntwasa
Selected Solo Exhibitions
| 2025 | Spillovers: Notes on a Phenomenological Ecology, Corner MAXXI, Rome, Italy |
| 2024 | Vestige, Secci Gallery, Pietrasanta |
| Surface Tension - WHATIFTHEWORLD, Cape Town | |
| 2022 | Remains to be seen, Eduardo Secci Gallery, Milano, Italy |
| 2021 | Sleight and Substance, Montoro 12 Gallery, Brussels, Belgium |
| As below so above - WHATIFTHEWORLD, Cape Town | |
| Elegy, Nirox foundation, The Cradle of Humankind, Johannesburg | |
| 2019 | Field of Vision - WHATIFTHEWORLD, Cape Town |
| TOMORROWS/TODAY, Solo Section at Investec Cape Ton Art Fair, Cape Town | |
| 2018 | Orbits of Relating, No End Contemporary Art Space, Johannesburg |
Selected Group Exhibitions
| 2025 | and I, a newly evolved fish, Iyatsiba Lab, Centre for Humanities and Research, Woodstock, Cape Town, South Africa |
| Breaking the Mold: Brooklyn Museum at 200, Brooklyn Museum, New York, USA | |
| Seven Contours, One Collection, Museum of African Contemporary Art (MACAAL), Marrakech, Morocco | |
| The Floridi Collection: A Journey Through History and Contemporary Art, curated by Giuliana Benassi. Fondazione D’Arc, Rome | |
| 2024 | My World, curated by Hans den Hartog Jager, Singer Laren, Laren Summer 2024 - Collection Majudia, Selection of Works from the Collection, Arsenal Contemporary, Montreal IOTA24, John Curtin Gallery, Perth |
| We, the People: 30 years of Democracy in South Africa, Norval Foundation, Cape Town, South Africa | |
| 2023 | Finds taken for wonders, Piero Atchugarry Gallery, Miami, USA |
| L'art de rien at CENTRALE for contemporary art, Brussels | |
| 2022 | In Times Like These… and Other Stories, WHATIFTHEWORLD, Cape Town, South Africa Witness, curated by Natasha Becker, Piero Atchugarry Gallery, Miami |
| The Norval Sovereign African Art Prize Finalists Exhibition, Norval Foundation, Cape Town, South Africa | |
| Earth Power!, Montoro 12, Brussels, Belgium | |
| A Quiet New Focu, Villa-Legoadi Centre for Sculpture, Nirox Foundation, Johannesburg, South Africa. | |
| Seeds of the Fig - Twee Jonge Gezellen Wine Estate, Krone x WHATIFTHEWORLD, Tulbagh, South Africa | |
| 2021 | 40 Under 40, Twee Jonge Gezellen Wine Estate, Krone x WHATIFTHEWORLD, Tulbagh, South Africa |
| In Times Like These...and Other Stories, WHATIFTHEWORLD, Cape Town, South Africa. | |
| Margins of Error, Nirox Sculptire Park, The Cradle of Humankind, Johannesburg, South Africa RESTUDIO, Cunnigham Contemporary, Johannesburg, South Africa | |
| Witness, Piero Atchugarry Gallery, Miami | |
| That Hidden Thread, NIROX Sculpture Park, Johannesburg | |
| 2020 | Matereality, Iziko National Gallery, Cape Town |
| 2019 | Il est une fois à l’Ouest. Frac Nouvelle-Aquitaine MÉCA in Bordeaux, France. |
| Process - BKhz, Braamfontein. 2019 | |
| 2018 | Germination, RAW Material Company, Partcours festival, Dakar, Senegal |
| Forward? Forward! Forward..., Stellenbosch University Museum, Stellenbosch | |
| Beyond Troubled Water(s), GONG LAUT: The First Singaraja International Art Forum, Bali, Indonesia | |
| Fresh Voices: Emerging Talent from SA, Mozambique and Zimbabwe, Guns and Rain Gallery, Johannesburg. | |
| 2017 | NEWWORK 2017, Wits School of Arts Grad Show, Wits Art Museum, Johannesburg. |
| Washington186 Inaugural Exhibition, Aeroplastics Contemporary, Brussels, Belgium | |
| All the Voices, Fried Contemporary, Pretoria | |
| Wits Young Artist Award Exhibition, The Point of Order, Johannesburg | |
| Taxi Art Foundation Award Top 30 Exhibition, Lizamore and Associates Gallery, Johannesburg | |
| What’s in it for you?, No End Contemporary Art Space, Johannesburg. | |
| 2016 | undermine – a collaborative group occupation, The Point of Order, Johannesburg |
| Activate/Captivate: Collections re-engagement, Wits Art Museum, Johannesburg |
Art Fairs
Awards
2025 – Fellow of the Ampersand Foundation. Residency, NYC.
2025 – Residency Award by Fundación Patiño in recognition of artist’s presentation at Zona Maco, held at Villa Albina, Bolivia
2024 – African Leadership Initiative – Young Leaders Fellow (5th Class)
2022 – Southern African Foundation for Contemporary Art Residency Award, Abbaye de la Cambre, Brussels
2020 – Recipient of The Claire & Edoardo Villa Will Trust Grant.
2019 – SEED Award Presented by the Southern African Foundation for Contemporary Art (SAFFCA) – For career acknowledgement.
2018 – PPC Imaginarium Award – Overall winner, and winner of the Sculpture category.
Permanent Collections
Ackerman-Berman Collection, South Africa.
Arsenal Contemporary | The Majudia Collection, Montreal; Toronto; New York
Barloworld Corporate Collection, South Africa.
Braunsfelder Family Collection, Cologne, Germany.
Brooklyn Museum Collection, Brooklyn, New York, USA.
Bunker Artspace, (The Beth Rudin DeWoody collection), USA.
D+C Family Collection and Art Foundation, Miami, Bogotá.
Department of Arts and Culture, South Africa.
de Young Museum, The Fine Arts Museum of San Francisco.
EKARD Collection, Netherlands, USA.
First Rand Bank, Corporate Collection, South Africa.
Fondazione D’ARC, Rome.
Francesca Lavazza Collection, Turin, Italy.
Frédéric de Goldschmidt Collection – Cloud Seven, Brussels.
Galila’s P.O.C. – The collection of Galila Barzilaï-Hollander, Brussels, Belgium.
LAM Museum, Lisse, Netherlands.
MACAAL Museum, Morocco.
Martin Nielsen Collection, Denmark.
Modern Art Projects, South Africa.
MONA – The Museum of Old and New Art, Tasmania.
Perez Collection, Miami.
Renee and Robert Drake Collection, Netherlands.
Rupert Family Collection, South Africa.
Scheryn Art Collection, South Africa.
Scott Mueller Collection, Cleveland, USA.
Southern African Foundation for Contemporary Art (SAFFCA), South Africa, France, Belgium.
Sylt Foundation Collection, Germany.
Tisot Art Collection Trust, Italy.
Tollman Family Collection, South Africa and UK.
Trevor Noah Collection, South Africa and USA.