Chris Soal
About
Chris Soal (b. 1994) is an award winning, emerging South African artist. Soal’s studio-based practice is sculptural in its output, working with objects and materials in ways which show not only a conceptual engagement with the contexts and histories of the objects, but that also re-enforce the body as a site for knowledge reception and production.
Soal’s works seek to make a poetic statement through the simplest of means, engaging the viewer’s spatial awareness and perception while challenging societal assumptions of value. Through his use of discarded and mundane ephemera, such as toothpicks and bottle caps, along with concrete, rebar, electric fencing cable, sandpaper and other industrial materials, Soal’s work intuitively develops the familiar to the point of the uncanny. Soal’s works can be considered as a social abstraction that is deeply rooted and reflective of having grown up in Johannesburg, South Africa.
In 2017, Soal graduated with a Bachelor of Arts in Fine Arts (Hons) at the University of the Witwatersrand. He was awarded the PPC Imaginarium Award in 2018, alongside being named the winner of the Sculpture category. He has been awarded residencies by the RAW Material Company in Dakar, Senegal (2019); by the South African Foundation of Contemporary Art in South Africa (2018), and Brussels (2022); and by the Nirox Foundation, Cradle of Humankind (2021). He is a fellow of the African Leadership Initiative – Young Leaders (2023 – 2024).
Recently Soal has held solo exhibitions with WHATIFTHEWORLD Gallery in Cape Town (2024), Secci Gallery in Pietrasanta (2024) and Milan (2022), and with Piero Atchugarry Gallery in Miami (2023). Notably, Soal was selected as one of ten contemporary artists to participate in the 5th edition of the Dior Lady Art project in 2020/2021. Soal’s work forms part of significant private and public collections both locally and internationally, including the Brooklyn Museum (USA), MACAAL Museum (Morocco), LAM Museum (Netherlands), The Bunker Artspace (USA), Galila’s P.O.C. (Belgium), Arsenal Contemporary (Canada), The Braunsfelder Family Collection (Germany), the Mona Museum (Tasmania) and the Cloud 7 collection (Belgium), amongst others.
Click here to view selected works.
Selected Press:
Dior Lady Art project interview with Chris Soal on Bizcommunity by Evan-Lee Courie
Toothpicks and Found Objects Form Amorphous Sculptures by Chris Soal (2019) by Colossal
Times Live feature by Thango Ntwasa
Selected Solo Exhibitions
2024 | Surface Tension - WHATIFTHEWORLD, Cape Town |
2022 | Remains to be seen, Eduardo Secci Gallery, Milano, Italy |
2021 | Sleight and Substance, Montoro 12 Gallery, Brussels, Belgium |
As below so above - WHATIFTHEWORLD, Cape Town | |
Elegy, Nirox foundation, The Cradle of Humankind, Johannesburg | |
2019 | Field of Vision - WHATIFTHEWORLD, Cape Town |
TOMORROWS/TODAY, Solo Section at Investec Cape Ton Art Fair, Cape Town | |
2018 | Orbits of Relating, No End Contemporary Art Space, Johannesburg |
Selected Group Exhibitions
2023 | L'art de rien at CENTRALE for contemporary art, Brussels |
2022 | In Times Like These… and Other Stories, WHATIFTHEWORLD, Cape Town, South Africa Witness, curated by Natasha Becker, Piero Atchugarry Gallery, Miami |
The Norval Sovereign African Art Prize Finalists Exhibition, Norval Foundation, Cape Town, South Africa | |
Earth Power!, Montoro 12, Brussels, Belgium | |
Seeds of the Fig - Twee Jonge Gezellen Wine Estate, Krone x WHATIFTHEWORLD, Tulbagh, South Africa | |
2021 | 40 Under 40, Twee Jonge Gezellen Wine Estate, Krone x WHATIFTHEWORLD, Tulbagh, South Africa |
Margins of Error, Nirox Sculptire Park, The Cradle of Humankind, Johannesburg, South Africa RESTUDIO, Cunnigham Contemporary, Johannesburg, South Africa | |
Witness, Piero Atchugarry Gallery, Miami | |
That Hidden Thread, NIROX Sculpture Park, Johannesburg | |
2020 | Matereality, Iziko National Gallery, Cape Town |
2019 | Il est une fois à l’Ouest. Frac Nouvelle-Aquitaine MÉCA in Bordeaux, France. |
Process - BKhz, Braamfontein. 2019 | |
2018 | Germination, RAW Material Company, Partcours festival, Dakar, Senegal |
Forward? Forward! Forward..., Stellenbosch University Museum, Stellenbosch | |
Beyond Troubled Water(s), GONG LAUT: The First Singaraja International Art Forum, Bali, Indonesia | |
Fresh Voices: Emerging Talent from SA, Mozambique and Zimbabwe, Guns and Rain Gallery, Johannesburg. | |
2017 | NEWWORK 2017, Wits School of Arts Grad Show, Wits Art Museum, Johannesburg. |
Washington186 Inaugural Exhibition, Aeroplastics Contemporary, Brussels, Belgium | |
All the Voices, Fried Contemporary, Pretoria | |
Wits Young Artist Award Exhibition, The Point of Order, Johannesburg | |
Taxi Art Foundation Award Top 30 Exhibition, Lizamore and Associates Gallery, Johannesburg | |
What’s in it for you?, No End Contemporary Art Space, Johannesburg. | |
2016 | undermine – a collaborative group occupation, The Point of Order, Johannesburg |
Activate/Captivate: Collections re-engagement, Wits Art Museum, Johannesburg |
Art Fairs
Awards
2020
Recipient of The Claire & Edoardo Villa Will Trust Grant.
2019
SEED Award Presented by the Southern African Foundation for Contemporary Art (SAFFCA) – For career acknowledgement.
2018
PPC Imaginarium Award – Overall winner, and winner of the Sculpture category.
Permanent Collections
The Beth Rudin DeWoody collection (The Bunker Artspace), USA.
The Braunsfelder Family Collection, Germany.
Galila’s P.O.C. – The collection of Galila Barzilaï-Hollander, Belgium.
The Sylt Foundation Collection, Germany.
Southern African Foundation for Contemporary Art (SAFFCA), South Africa and France.
Modern Art Projects, South Africa.
First Rand Bank, Corporate collection, South Africa.
The Department of Arts and Culture, South Africa.
The Rupert Family Collection, South Africa.
Barloworld Corporate Collection, South Africa.
The Ackerman-Berman Collection, South Africa.
The Tollman Family Collection, South Africa and UK.
Tisot Art Collection Trust, Italy.
Brooklyn Museum Collection, Booklyn, New York, USA.