Cathy Abraham
About
Cathy Abraham (b. 1968; Cape Town, South Africa) is an abstract multi-media artist whose practice encompasses the mediums of film, installation, painting, sculpture, and mixed media. Abraham attended the Michaelis School of Fine Arts, University of Cape Town (UCT), where she graduated with a Master’s in Fine Art with Distinction in 2018. Her work is included in the IZIKO South African National Gallery Collection, the Rupert Collection, the Spier Art Collection in South Africa as well as the Kilbourne collection in South Africa.
“My practice is deeply rooted in repetition as a material prayer. Invoking transformation and healing, these prayers address past sufferings that continue to haunt the present. Appearing as shadows in the overlapping ‘ghosts’ of colliding brushstrokes, such hauntings give form to otherwise formless traumas, the apparitions tracing the wound in its residue. My unfolding engagement with numbers and ritual action is meditative and devotional, a means of transcending the self towards an understanding of the interconnected, miraculous nature of all beings.” Cathy Abraham, 2025
Central to Abraham’s practice is her ritual approach to counting forms, wherein she focuses on the numbers 5, 9, 11, 13, 18, and multiples thereof as a systematic and gesture toward ecologies of survival. Abraham “counts brush marks as a form of meditation, allowing the mark of the brush to leave a visual trace as ghosts do.” Rhythm and repetition is further expressed in Abraham’s use of Gematria, an alpha numeric system within the teachings of the Kabbalah, that aids Abraham in her process. Additional themes addressed in Abraham’s work include the environment, changeable ecologies, interconnectedness, intergenerational trauma, cause and effect, movement, time, and space.
Abraham held her first solo exhibition Naked in 2008 with Joao Ferreira Gallery in Cape Town, followed by other solo presentations, including Undying Entanglement, a body of work comprised of film, installation, and paper works exhibited at the South African Jewish Museum in Cape Town in 2013. In 2025 Abraham presented A Sacred Matter, at Everard Read, Franschoek, South Africa and in London. Further solo presentations include: A Shifted Season, presented by Untitled at FNB Art Joburg, Johannesburg, South Africa in 2024; The Fallen Sparks of Tohu, with IBI Art at Contemporary Istanbul, Turkey; Yielding to the Shadow, with IBI Art at the Investec Cape Town Art Fair, South Africa, both in 2023; 22 Pathways at Everard Read, Cape Town, South Africa in 2022; Spaces: The Abyss of Deep Time, at The Fourth, Cape Town, South Africa in 2021; A Deeper Kind of Nothing and The Monument at Glen Carlou, Franschoek, South African in 2019.
Selected group exhibitions include Investec Cape Town Art Fair with Locus Projects (2025); RMB Latitudes presented by RESERVOIR, Johannesburg, South Africa (2024); What I feel when I think about the cosmos (2023) at Everard Read Franschoek, South Africa; Seduction (2022) at Everard Read, Cape Town, South Africa; The Great South African Nude, at Everard Read, Johannesburg; Conversations with Irma (2019) at Irma Stern Museum, Cape Town, South Africa and Domestic Departures at The Forge, Cape Town (2011).
Selected Solo Exhibitions
| 2026 | Remains of a Never World - WHATIFTHEWORLD, Cape Town, South Africa |
| 2025 | A Sacred Matter, Everard Read London, London, UK |
| 2023 | The Fallen Sparks of Tohu, Locus Projects, Contemporary Istanbul Art Fair, Istanbul, Turkey |
| Yielding to the Shadow, Investec Cape Town Art Fair, with IBI Art Gallery, Cape Town, South Africa | |
| 2022 | 22 Pathways, Cubicle Series, Everard Read, Cape Town, South Africa |
| 2021 | 9 Spaces: The abyss of deep time, The Fourth, Cape Town, South Africa |
| 2019 | A Deeper Kind of Nothing, Glen Carlou Gallery, Stellenbosch, South Africa |
| 2018 | A Deeper Kind of Nothing, Michaelis Galleries, University of Cape Town, Cape Town, South Africa |
| 2013 | Undying Entanglement, South African Jewish Museum, Cape Town, South Africa |
| 2012 | Trace, In Toto Gallery, Johannesburg, South Africa |
| 2011 | Essence, The White House, Plettenberg Bay, South Africa |
| 2010 | Memory Stains, IBI Art Alliance Francaise, Johannesburg, South Africa |
| 2009 | Stripped, IBI Art Alliance Francaise, Johannesburg, South Africa |
| 2008 | Naked, Joao Ferreira Gallery, Cape Town, South Africa |
Selected Group Exhibitions
| 2025 | Motherhood, Iziko South African National Gallery, Cape Town, South Africa |
| Winter 24/25, Everard Read, London, UK | |
| Winter Collection, Everard Read, Franschhoek, South Africa | |
| 110 Year Anniversary Exhibition, Everard Read, London, UK | |
| Southern Light, Everard Read, London, UK | |
| 2023 | What I feel when I think about the cosmos, Everard Read Franschoek, South Africa |
| Winter, Everard Read, Cape Town, South Africa | |
| Summer, Everard Read, London, UK | |
| September Collection, Everard Read, London, UK 2022 | |
| 2022 | Seduction, Everard Read, Cape Town, South Africa |
| 2019 | Conversations with Irma, Irma Stern Museum, Cape Town, South Africa |
| 2015 | Art/Out of the Ordinary, curated by Marilyn Martin, AVA, Cape Town, South Africa |
| 2014 | Seeking Eden, curated by Margie Murgatroyd, Casa Labia, Cape Town, South Africa |
| 2013 | My Mother’s Garden, Arts on Main, Johannesburg, South Africa |
| In Good Company, curated by Michael Chandler, Irma Stern Museum, Cape Town, South Africa | |
| 2011 | Domestic Departures, The Forge, Cape Town, South Africa |
Art Fairs
| The Armory Show 2026, Cathy Abraham |
| RMB Latitudes 2026 |
| Miart 2026 |
| Investec Cape Town Art Fair |
| Artissima 2025 |
| Artissima 2024 |
Selected Publications
Speakes, O. 2020. Breathing Space: Cathy Abraham’s A Deeper Kind of Nothing. Artthrob https:// artthrob.co.za/2020/01/07/breathing-space-cathy-abrahams-a-deeper-kind-of-nothing
Cape Talk Radio interview with Pippa Hudson http://www.capetalk.co.za/podcasts/127/afternoons-with-pippa-hudson/ 254287/on-the-couch-cathy-abraham-responds-to-gender-based-violence-with-visual-art
Jolly, L. 2013. Complete Immersion: Honouring opposite but entangled forces of feminism through art. Cape Times. 2 October: 11.
Teaching 2017 – 2018 assisted Virginia Mackenny professor of painting at Michaelis School of Fine Art, UCT