The 57th Venice Biennale

Group Exhibition
13 May - 26 November 2017

Exhibition Opening: Saturday 13 May 2017
Exhibition Closure: Sunday 26 November 2017

WHATIFTHEWORLD is pleased to announce that Mohau Modisakeng is representing South Africa, along with artist Candice Breitz, at the South African Pavilion in the 57th Venice Biennale (Sale d’Armi, Arsenale, Venice, Italy). As part of the two-person presentation, curated by Lucy MacGarry, Modisakeng presents an immersive video installation titled Passage (2017) – a three-channel projection that meditates on slavery’s dismemberment of African identity and its enduring erasure of personal histories.

In each of the artwork’s three projections, we are confronted with a character – a woman with a hawk perched on her arm, a young man in a Trilby hat and a woman wrapped in a Basotho blanket. The arched shape of the boat frames each passenger with their heads pointed towards the prow of the boat, they are each traveling with a single possession. As the passengers lie motionless on their backs looking up at the sky they begin to perform a series of actions that move between gestures of struggle and resignation. A pool of water gradually forms beneath their bodies. The rising water gradually floods the well of the boat eventually leaving the passengers submerged while the boat is slowly sinking and eventually disappearing.

In Passage, the ebb and flow of water, as both life giving and deadly, symbolizes the many who have arrived or departed from South Africa in trade, as cargo or as transient bodies belonging to no particular state. In South Africa, systems of indentured labour and slavery were instituted by the Cape Colony in 1652 to meet the growing demand for labour. Dutch settlers imported people from the Indian subcontinent, Indonesia, Madagascar, East Africa and Angola, putting them to work on plantations and at ports. South Africa became a jostling ground between the Dutch and British, its native people rendered as mere commodities moving through the establishment of an industrialized mining economy, as labourers and as soldiers in the Anglo Boer and world wars. In Setswana the experience of life is referred to as a ‘passage’. The Setswana word for life, botshelo, means ‘to cross over’. As such, all human beings are referred to as bafeti (‘voyagers’), a word that points to the fact that the experience of life is transient; it has a beginning and an end, as with any voyage.

 For further information on the South African Pavilion, click here

For further information regarding the Passage video work and the forthcoming photographic works, please contact


Selected Press

Arsty – The Venice Biennale’s 11 Best Pavilions

Contemporary& – Installation Views

City Press – South African artists shine at Venice showcase

Between 10 and 5 – Video: Catching up with artist Mohau Modisakeng ahead of the Venice Biennale – 57th Venice Biennale: Arsenale Pavilions Highlights of the National Pavilions in the Arsenale

Mousse Magazine – Candice Breitz and Mohau Modisakeng at South Africa Pavilion, Venice Biennale