Exhibitions: All
Exhibitions: Upcoming
Exhibitions: On Now
Exhibitions: WITW X KRONE
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Sanell Aggenbach
Mia Chaplin
Stephané Edith Conradie
Paul Edmunds
Pierre Fouché
Lungiswa Gqunta
Dan Halter
Sthenjwa Luthuli
Maja Marx
Michele Mathison
John Murray
Asemahle Ntlonti
Lakin Ogunbanwo
Ben Orkin
Athi-Patra Ruga
Cameron Platter
Lyndi Sales
Chris Soal
Rowan Smith
Ruby Swinney
Michael Taylor
Exhibitions: All
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Ba Dum Tssshhh
The Acme Suite
Seeds of the Fig
Souvenir
Gathered. Remembered. Forgotten. Made.
Material Echos WITW Amsterdam
Pleasure Over Pain
ADAMAH
Indecent – A group exhibition of erotic lace miniatures
Showing Skin
Home Strange Home
Sefapi
Swamp
The Phoenix Runway
Get Out of Jail Free
The Great Lulllllll
Extra Safe
Nature’s Code
In The End
Vuthulula
Over and over
Not Angels or Algorithms, Only Human Error
As below so above
Inkaba Yami
There There
Nothwala impahlana
Available Works
Interior/Exterior / Dramatis Personae
COVID-19 Notice: Exhibition Extension of ‘Solid Waste’
Solid Waste
Hold Still
Sum of its Parts
The Little Binche Peacock and other Utopian dreams
Boys On The Side
You told me…
Cross the River in a Crowd
Field of Vision
Chris Soal Selected Works
e wá wo mi
IQRA
Mouth
The Road to Natural Selection is Fraught with Random Mutation
Qab’Imbola
Chorus
BOY. BOAT. BAT.
Please Call Me
Dead Centre
Qwitha
Patience Can Cook a Stone
Queens in Exile 2014-2017
Aftermath
States of Emergence
Passage
Everyday Anomaly
Bend To Her Will
States of Emergence
Vreesaanjaende Verligting
Ignis Fatuus
The 57th Venice Biennale
Asemahle Ntlonti Selected Works
Bend to Her Will
Remnants
Under a Boiling River
We Must Not Be Looking
I AM ROYAL
Negative Space
Ingxowa yeGqwirhakazi
Becoming
The Night Moves
Dear Europa …
Qokobe
There are Gold Flecks in the Lapis
Binding Forms
Braids
Solo Project
GLARE
Chamber of Mines
Across Borders
Green Room
😱😱😱
Foreign Bodies
Are We Good Enough
Elemental
No Place
Trophies
Gallery Special Project
The Line of Beauty
Two Works
New Gestures: Fabricated to be Photographed
New Voices 01
The Original is Unfaithful to the Translation
Undo All
The Fallen and the Drowned
Uncertain Terms
Unfrozen: Rainbowcore
Manual
New Work
I Was Born Yesterday
No Everything
Golden Age Rising
I Saw This
The Future White Women of Azania Saga
BLOCK: Recent works
Ecstatic Entropy
Pattern Language
Far From The Sea, Perhaps…Morne Visagie & Mbongeni Dlamini
Strange Flowers
Positive Tension
Mumbo Jumbo
These Waves
Deep Sky Survey
The Truth Lies Here
Yashua Klos Selected Works
Artists
Sanell Aggenbach
Mia Chaplin
Stephané Edith Conradie
Paul Edmunds
Pierre Fouché
Lungiswa Gqunta
Dan Halter
Tangeni Kambudu
Sthenjwa Luthuli
Maja Marx
Michele Mathison
John Murray
Nabeeha Mohamed
Asemahle Ntlonti
Lakin Ogunbanwo
Ben Orkin
Athi-Patra Ruga
Cameron Platter
Lyndi Sales
Chris Soal
Rowan Smith
Ruby Swinney
Michael Taylor
Exhibitions
Art Fairs
Presentations
Artists
About
WITW / Krone
Publications
Contact
Opening circles
Being Safe is Being Vulnerable
What is done now, will be built on later
How it looks on the inside
Being Safe
From ‘What already happened changes how things happen again’
A gift for a gift
Minorities kill minorities
Wipe out the past
Receiving is a form of giving, if you are a giver (sketch)
What do you think is happening between us?
You can do nothing about something you don’t know anything about
Walls that can open
Traipsing into Modernism
Tshela
‘n Versameling Ontelbare Oomb- likke (Aggregate of Countless Moments) [Based on a photograph by Timmi Taubenschreck]
Digtheid Pronkrol (Density Sam- pler)
Grofheid Pronkrol (Roughness Sampler)
Forbidden Fruit
“Voor die Val” (Before the Fall)
Installation View
Installation View
How to Have Sex in an Epidemic: On a Shelf
Installation View
