Lungiswa Gqunta at Glasgow International

WHATIFTHEWORLD is pleased to announce that Lungiswa Gqunta is included (as part of the IQhiya Collective) in the 2018 Glasgow International Festival which opens on Friday. IQhiya’s project will take place at 6pm, on the 20th of April at Transmission (28 King Street Glasgow G1 5QP), followed by an exhibition which will run until the 7th of May.

Working across disciplines from video art to printmaking, photography, sculpture and performance, iQhiya’s collective making seeks to challenge traditional gendered and racialised expectations of black womxn artists. Consistent with how their collective practice has integrated calls to decolonise public institutions, iQhiya will produce a site-specific response to the historical and contemporary erasure of womxn artists of colour within Scotland.

Olaf Hajek at Southern Guild

WHATIFTHEWORLD is pleased to announce that Olaf Hajek will be presenting a solo exhibition of new work at Southern Guild. The exhibition Paravent will open on Tuesday, the 24th of April, and run until the 12th of July 2018.

Paravent by Olaf Hajek, presented in collaboration with WHATIFTHEWORLD, is the internationally renowned German painter’s third solo show in Cape Town. The acrylic paintings in this new body of work depicts still-lives, interiors, portraits and landscapes, whose theatricality is heightened by the recurring motif of a folding screen (“paravent” in French).

“The screen creates its own mysterious space. Behind it, you find a hidden world but it also provides security and shelter,” Olaf explains.

A technically perfect illustrator, he creates enchanting visual patterns, scenes and creative characters in which nature and artifice are intertwined. Olaf collects mental images everywhere he goes: on his travels, in magazines, or on the internet. African traditions, Indian temple art, South American folklore, and pop culture are all expressed in new ways in his almost surreal tableaux. He plays with motifs of flora and fauna, archaic symbols and current themes, working them all into his pieces in great detail and vibrant colour.

The works on show were all painted by Olaf during a recent residency in Cape Town, which he calls his “second home and addiction”. Grouped in pairs, they tell different stories that reference myths, folklore and dreams. The Big Globe, for example, is inspired by old taxidermy objects but here the birds have come to life as they try to escape the threat of a snake. In its partner painting, Departure, all the decorative elements come to life as they embark on an unknown journey.

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